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by Cliff Lauson, Anne Wagner, Philip Ball

This study examines evolving concepts of authenticity and replication in art across various historical contexts. It analyses the tension between scientific verification and connoisseurship, exploring how the art market and cultural frameworks define a genuine work.

Accession 7816 ISBN 9781848220980 Publisher Hayward Gallery Publishing
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TAGS
Curated Derived
Art Light Science
CONNECTIONS
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State
on_shelf
True
position_updated_at
never
orientation
unknown
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
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Last synced 2026-05-28 15:20 (1 week, 5 days ago)

Identity

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Light show
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11613
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7816
vernon_slug
light-show

Drives Pulse state

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location_name
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location_reason
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isbn_issn→ isbn (when valid)
9781848220980

Descriptive

production_date
2013
object_type
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object_status
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brief_description
This brief record was created for storage and loan purposes only.

Subjects & people

authors→ author (initial fill only)
Philip Ball, Cliff Lauson, Anne Wagner
tags→ tags
Art, Arts, Science, Contemporary Art, Art, Modern -- 21st century, Installations (Art), Art, Modern, Physical sciences, Light, Electromagnetic waves, Electromagnetic theory, Electric fields, Field theory (Physics), Physics, Light art
subject_people
Ann Veronica Janssens (b.1956), James Turrell (b.1943), Jenny Holzer (b.1950)
subject_objects
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Cover image

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