Skip to main content
M:S4:14 4
Edit position
Edit position

Last set 1 week ago. Manual moves override automatic placement until the next shelfie/spine match.

Reality hunger : a manifesto
Diagnose this book
Open in Vernon Browser

Reality hunger : a manifesto

by David Shields

This manifesto examines the intersection of reality and art in the twenty-first century, exploring the blurring boundaries between fiction and non-fiction. It addresses themes of authenticity and appropriation, challenging traditional concepts of genre and truth.

Accession 7772 ISBN 9780307273536 Publisher Alfred A. Knopf, Inc.
Book Images
Reference and live side by side Hover to see live images
Reference
Reality hunger : a manifesto spine
Reality hunger : a manifesto cover
Live
Reality hunger : a manifesto live spine
No live
Reality hunger : a manifesto spine Reality hunger : a manifesto live spine
Reality hunger : a manifesto cover
No live
TAGS
Curated Derived
Art Communication Culture Literature Philosophy Popular Culture Social Sciences Writing
CONNECTIONS
No connections
State
on_shelf
True
position_updated_at
2026-06-03 12:38
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
M:S4:14 4 Current vertical
1 week, 5 days ago
3 weeks, 1 day ago
Book Location
Updated 1 week ago
Vernon snapshot
View live

Frozen copy of Vernon's record from the last sync. Fields tagged flow back into the Pulse record.

Last synced 2026-05-21 00:42 (2 weeks, 6 days ago)

Identity

name→ title
Reality hunger : a manifesto
vernon_id
11571
accession_no→ accession_number
7772
vernon_slug
reality-hunger-a-manifesto-david-shields

Drives Pulse state

curr_loc_status→ on_shelf
On Shelf
location_name
Zone S4/Level 2 (Mezzanine)/Phrontisterion/MONA
location_reason
On Shelf
isbn_issn→ isbn (when valid)
9780307273536

Descriptive

production_date
2010
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.

Subjects & people

authors→ author (initial fill only)
David Shields
tags→ tags
Literature, Philology, Philosophy, Social sciences, Civilisation, Sociology, Writing, Language and languages, Communication, Culture, Rhetoric, Authorship, Realism, Arts, Modern, Criticism, Intellectual life, Popular culture, Reality
subject_people
subject_objects

Cover image

vernon_cover_image_id→ cover_image
21444

Raw Vernon JSON

click to inspect

The source payload behind the snapshot above.

Use ⌘F to search once expanded.
{7 keys}
"slug": "reality-hunger-a-manifesto-david-shields"
"opacObjectId": "11571"
"opacCollection": {1 keys}
"opacCollectionId": "1"
"imagesCollection": {2 keys}
"images": [1 items]
"[0]": {5 keys}
"imageId": "21444"
"cssColors": [5 items]
"[0]": {9 keys}
"hex": "4682b4"
"hue": 207
"rank": 1
"presence": 10.21
"colorName": "steelblue"
"lightness": 49
"colorGroup": "blue"
"saturation": 44
"formattedColorName": "steel blue"
"[1]": {9 keys}
"hex": "ffff00"
"hue": 60
"rank": 2
"presence": 65.93
"colorName": "yellow"
"lightness": 50
"colorGroup": "yellow"
"saturation": 100
"formattedColorName": "yellow"
"[2]": {9 keys}
"hex": "a52a2a"
"hue": 0
"rank": 3
"presence": 9.75
"colorName": "brown"
"lightness": 41
"colorGroup": "brown"
"saturation": 59
"formattedColorName": "brown"
"[3]": {9 keys}
"hex": "f5f5dc"
"hue": 60
"rank": 4
"presence": 3.99
"colorName": "beige"
"lightness": 91
"colorGroup": "white"
"saturation": 56
"formattedColorName": "beige"
"[4]": {9 keys}
"hex": "daa520"
"hue": 43
"rank": 5
"presence": 8.01
"colorName": "goldenrod"
"lightness": 49
"colorGroup": "brown"
"saturation": 74
"formattedColorName": "goldenrod"
"rawColors": [7 items]
"[0]": {6 keys}
"hex": "23729a"
"hue": 200
"rank": 1
"presence": 10.21
"lightness": 37
"saturation": 62
"[1]": {6 keys}
"hex": "f3ee10"
"hue": 58
"rank": 2
"presence": 65.93
"lightness": 50
"saturation": 90
"[2]": {6 keys}
"hex": "cd5236"
"hue": 11
"rank": 3
"presence": 9.75
"lightness": 50
"saturation": 60
"[3]": {6 keys}
"hex": "fbfbf1"
"hue": 60
"rank": 4
"presence": 3.99
"lightness": 96
"saturation": 55
"[4]": {6 keys}
"hex": "e3941c"
"hue": 36
"rank": 5
"presence": 8.01
"lightness": 50
"saturation": 78
"[5]": {6 keys}
"hex": "96ab1c"
"hue": 68
"rank": 6
"presence": 2.05
"lightness": 39
"saturation": 71
"[6]": {6 keys}
"hex": "61ca50"
"hue": 111
"rank": 7
"presence": 0.06
"lightness": 55
"saturation": 53
"imageLabels": [6 items]
"[0]": {5 keys}
"count": 19411
"score": 81.91
"status": "auto_verified"
"imageLabel": "Font"
"imageLabelId": 12
"[1]": {5 keys}
"count": 10019
"score": 76.78
"status": "auto_verified"
"imageLabel": "Rectangle"
"imageLabelId": 11
"[2]": {5 keys}
"count": 3985
"score": 71.44
"status": "auto_verified"
"imageLabel": "Electric blue"
"imageLabelId": 49
"[3]": {5 keys}
"count": 1673
"score": 68.29
"status": "auto_verified"
"imageLabel": "Parallel"
"imageLabelId": 107
"[4]": {5 keys}
"count": 178
"score": 55.49
"status": "auto_verified"
"imageLabel": "Screenshot"
"imageLabelId": 579
"[5]": {5 keys}
"count": 5578
"score": 52.22
"status": "auto_verified"
"imageLabel": "Pattern"
"imageLabelId": 24
"imageDerivatives": [6 items]
"[0]": {4 keys}
"url": "https://browser.mona.net.au/records/images/large/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "550"
"height": "800"
"identifier": "LARGE"
"[1]": {4 keys}
"url": "https://browser.mona.net.au/records/images/medium/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "275"
"height": "400"
"identifier": "MEDIUM"
"[2]": {4 keys}
"url": "https://browser.mona.net.au/records/images/nano/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "24"
"height": "35"
"identifier": "NANO"
"[3]": {4 keys}
"url": "https://browser.mona.net.au/records/images/small/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "103"
"height": "150"
"identifier": "SMALL"
"[4]": {4 keys}
"url": "https://browser.mona.net.au/records/images/tiny/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "52"
"height": "75"
"identifier": "TINY"
"[5]": {4 keys}
"url": "https://browser.mona.net.au/records/images/xlarge/1202/078c4a1efa67db2a60e8884cf9c70a09133e9b54.jpg"
"width": "825"
"height": "1200"
"identifier": "XLARGE"
"totalImages": 1
"objectSearchScore": 0.3118719
"opacObjectFieldSets": [40 items]
"[0]": {2 keys}
"identifier": "accession_no"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "7772"
"[1]": {2 keys}
"identifier": "name"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Reality hunger : a manifesto / David Shields"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "title"
"value": "Reality hunger : a manifesto / David Shields"
"[2]": {2 keys}
"identifier": "other_name"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[3]": {2 keys}
"identifier": "artist_last_first"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Shields, David"
"[4]": {2 keys}
"identifier": "prod_pri_date"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "2010"
"opacObjectFieldAttributes": [2 items]
"[0]": {2 keys}
"key": "earliest_date"
"value": "2010-01-01Z"
"[1]": {2 keys}
"key": "latest_date"
"value": "2010-12-31Z"
"[5]": {2 keys}
"identifier": "prod_pri_date_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[6]": {2 keys}
"identifier": "edition"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[7]": {2 keys}
"identifier": "brief_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience."
"[8]": {2 keys}
"identifier": "measure_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[9]": {2 keys}
"identifier": "credit_line"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[10]": {2 keys}
"identifier": "curr_loc_status"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "On Shelf"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "curr_loc_status:"On Shelf""
"[11]": {2 keys}
"identifier": "ob_status"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Accessioned"
"[12]": {2 keys}
"identifier": "lender"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[13]": {2 keys}
"identifier": "copyright_owner"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[14]": {2 keys}
"identifier": "copyright_type"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[15]": {2 keys}
"identifier": "copyright_start"
"opacObjectFields": [0 items]
"[16]": {2 keys}
"identifier": "copyright_expiry"
"opacObjectFields": [0 items]
"[17]": {2 keys}
"identifier": "copyright_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[18]": {2 keys}
"identifier": "curr_loc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone S4/Level 2 (Mezzanine)/Phrontisterion/MONA"
"[19]": {2 keys}
"identifier": "object_type"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Books/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Books/Document genres/Information forms/Visual and Verbal Communication""
"[20]": {2 keys}
"identifier": "collection"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Main Collection/Library"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "collection:"Main Collection/Library""
"[21]": {2 keys}
"identifier": "prod_pri_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "New York City/New York/United States of America"
"[22]": {2 keys}
"identifier": "prod_pri_publisher"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Alfred A. Knopf, Inc."
"[23]": {2 keys}
"identifier": "physical_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "219 pages ; 22 cm."
"[24]": {2 keys}
"identifier": "language"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "English"
"[25]": {2 keys}
"identifier": "isbn_issn"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "9780307273536"
"[26]": {2 keys}
"identifier": "user_sym_1"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "813 SHI"
"[27]": {2 keys}
"identifier": "usual_loc_being"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone S4/Level 2 (Mezzanine)/Phrontisterion/MONA"
"[28]": {2 keys}
"identifier": "subject_class"
"opacObjectFields": [7 items]
"[0]": {2 keys}
"value": "Literature/Philology"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Literature/Philology""
"[1]": {2 keys}
"value": "Criticism/Rhetoric/Authorship"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Criticism/Rhetoric/Authorship""
"[2]": {2 keys}
"value": "Reality/Philosophy"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Reality/Philosophy""
"[3]": {2 keys}
"value": "Realism/Philosophy"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Realism/Philosophy""
"[4]": {2 keys}
"value": "Arts, Modern"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Arts, Modern""
"[5]": {2 keys}
"value": "Popular culture/Intellectual life/Culture"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Popular culture/Intellectual life/Culture""
"[6]": {2 keys}
"value": "Writing/Language and languages/Communication/Sociology/Social sciences/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Writing/Language and languages/Communication/Sociology/Social sciences/Civilisation""
"[29]": {2 keys}
"identifier": "subject_date"
"opacObjectFields": [0 items]
"[30]": {2 keys}
"identifier": "subject_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[31]": {2 keys}
"identifier": "subject_period"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[32]": {2 keys}
"identifier": "subject_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[33]": {2 keys}
"identifier": "subject_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[34]": {2 keys}
"identifier": "subject_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[35]": {2 keys}
"identifier": "assoc_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[36]": {2 keys}
"identifier": "assoc_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[37]": {2 keys}
"identifier": "assoc_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[38]": {2 keys}
"identifier": "assoc_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[39]": {2 keys}
"identifier": "user_sym_9"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"relationshipsCollection": {2 keys}
"relationships": [1 items]
"[0]": {4 keys}
"relatedRecords": [1 items]
"[0]": {3 keys}
"slug": "david-shields"
"title": "David Shields"
"relatedRecordId": "13305"
"relationshipId": "object_prod_pri_person"
"relatedRecordType": "person"
"totalRelatedRecords": 1
"totalRelationships": 1
Topics and Themes