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How New York stole the idea of modern art : abstract expressionism, freedom and the Cold War
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How New York stole the idea of modern art : abstract expressionism, freedom and the Cold War

by Serge Guilbaut, Arthur Goldhammer

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Accession 3581 ISBN — Publisher University of Chicago Press
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TAGS
Curated Derived
Art Critics History Painting Politics Social Sciences Writing
CONNECTIONS
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State
on_shelf
True
position_updated_at
2026-06-05 14:13
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
G:N1:18 3 Current vertical
4 days, 22 hours ago
G:N1:18 3 vertical
6 days, 23 hours ago
G:N1:18 4 vertical
1 week, 5 days ago
Book Location
Updated 4 days, 22 hours ago
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Last synced 2026-05-27 15:30 (1 week, 6 days ago)

Identity

name→ title
How New York stole the idea of modern art : abstract expressionism, freedom and the Cold War
vernon_id
7401
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3581
vernon_slug
how-new-york-stole-the-idea-of-modern-art-abstract-expressionism-freedom-and-the-cold-war

Drives Pulse state

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location_reason
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isbn_issn→ isbn (when valid)
—

Descriptive

production_date
1983
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
This brief record was created for storage and loan purposes only.

Subjects & people

authors→ author (initial fill only)
Serge Guilbaut, Arthur Goldhammer
tags→ tags
Art, Arts, Graphic arts, Art, Modern -- 20th century, History, Rhetoric, Authorship, World history, Collectivism, Cold War (1945-1989), World politics -- 1945-1989, Communism, Art criticism, Criticism, Art critics, Critics, Art -- History, Painting, Modern -- 20th century, Painting, Abstract, Abstract expressionism
subject_people
Clement Greenberg (American, b.1909, d.1994), Peggy Guggenheim, Mark Rothko (American, b.1903, d.1970)
subject_objects
—

Cover image

vernon_cover_image_id→ cover_image
38217

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