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No such thing as silence : John Cage's 4'33' / Kylie Gann
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No such thing as silence : John Cage's 4'33' / Kylie Gann

by Kyle Gann

This study examines the cultural context, philosophical influences, and legacy of John Cage's silent composition 4'33", analysing its impact on modern music and art.

Accession 3296 ISBN 9780300136999 Publisher Yale University Press
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No such thing as silence : John Cage's 4'33' / Kylie Gann spine
No such thing as silence : John Cage's 4'33' / Kylie Gann cover
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Curated Derived
Art Authors Biography Composition Music Professions Writing
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on_shelf
True
position_updated_at
2026-06-05 13:18
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
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1 week ago
G:S1:3 2 vertical
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G:S1:4 2 vertical
3 weeks, 1 day ago
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Last synced 2026-05-21 02:40 (2 weeks, 6 days ago)

Identity

name→ title
No such thing as silence : John Cage's 4'33' / Kylie Gann
vernon_id
7116
accession_no→ accession_number
3296
vernon_slug
no-such-thing-as-silence-john-cages-433-kylie-gann

Drives Pulse state

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On Shelf
location_name
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location_reason
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isbn_issn→ isbn (when valid)
9780300136999

Descriptive

production_date
2010
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
First performed at the midpoint of the twentieth century, John Cage's 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage's controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music.In this book, Kyle Gann, one of the nation's leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono, he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage's craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert's analysis and a highly personal interpretation of Cage's most divisive work. -- Dust jacket

Subjects & people

authors→ author (initial fill only)
Kyle Gann
tags→ tags
Art, Arts, Art, Modern -- 20th century, Persons, Music, Artists, Modernism (Art), Aesthetic movement (Art), Rhetoric, Authorship, Criticism, Musicians, Music -- History and criticism, Avant-garde (Aesthetics), Arts -- Experimental methods, Composers, Composition (Music), Silence
subject_people
John Cage (b.1912, d.1992)
subject_objects
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Cover image

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