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Georges de La Tour and his world

by Philip Conisbee

Examining seventeenth-century Baroque paintings, this study analyses the intersection of materiality, excess, and violence. It explores how these artworks stage pictorial surfaces as corporeal ones, where paint and canvas represent flayed flesh and ruptured skin.

Accession 2716 ISBN — Publisher National Gallery of Art (U.S.)
Book Images
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Georges de La Tour and his world spine
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TAGS
Curated Derived
Art Painting
CONNECTIONS
No connections
State
on_shelf
True
position_updated_at
2026-06-19 19:54
orientation
vertical
position_confidence
1.00
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
G:N1:29 5 Current vertical 1.00 conf
4 days, 6 hours ago Moved to this shelf Latest update
G:N1:30 2 vertical
3 weeks, 1 day ago
Book Location
Updated 4 hours, 20 minutes ago
Vernon snapshot
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Frozen copy of Vernon's record from the last sync. Fields tagged → flow back into the Pulse record.

Last synced 2026-06-19 21:58 (2 hours, 17 minutes ago)

Identity

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Georges de La Tour and his world
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vernon_slug
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Drives Pulse state

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On Shelf
location_name
Zone N1/Level 1/Phrontisterion/MONA
location_reason
On Shelf
isbn_issn→ isbn (when valid)
—

Descriptive

production_date
1996
object_type
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object_status
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brief_description
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Subjects & people

authors→ author (initial fill only)
Philip Conisbee
tags→ tags
Art, Arts, Painting, Graphic arts, Art -- History
subject_people
Georges du Mesnil de La Tour (French, b.1593, d.1652)
subject_objects
—

Cover image

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