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Aesthetics after Darwin : the multiple origins and functions of art
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Aesthetics after Darwin : the multiple origins and functions of art

by Winfried Menninghaus, Alexandra Berlina

This work explores Darwin's theory of art as a product of sexual selection, drawing links to classical rhetoric and philosophical aesthetics. It proposes a multifaceted origin for the arts, integrating sensory selection, play behaviour, and symbolic cognition.

Accession 15275 ISBN 9781644690000 Publisher Academic Studies Press
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TAGS
Curated Derived
Art Culture Family and Society Human Evolution Life Sciences Literature Music Philosophy Science Social Sciences
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2026-06-10 15:52
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Identity

name→ title
Aesthetics after Darwin : the multiple origins and functions of art
vernon_id
24037
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15275
vernon_slug
aesthetics-after-darwin-the-multiple-origins-and-functions-of-art-winfried-menninghaus-translated-by-alexandra-berlina

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Descriptive

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2019
object_type
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brief_description
1) Darwin's hypothesis is strongly informed both by classical rhetoric and by English and German philosophical aesthetics. 2) Discusses how the three most discussed hypothetical functions of the human arts--competition for attention and (loving) acceptance, social cooperation, and self-enhancement--are not mutually exclusive. 3) Advocates a new hypothesis on the multiple origins of the human arts.

Subjects & people

authors→ author (initial fill only)
Winfried Menninghaus, Alexandra Berlina
tags→ tags
Arts, Science, Social psychology, Psychology, Life sciences, Performing arts, Philosophy, Emotions, Culture, Evolution (Biology), Biology, Genetics, Sexual selection, Natural selection, Love, Human evolution, Aesthetics, Evolution (Biology) in art, Courtship, Social evolution, Music -- Psychological aspects, Evolution (Biology) in literature, Cooperativeness
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Charles Darwin (English, b.1809, d.1882)
subject_objects
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Topics and Themes