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Endless forms : Charles Darwin, natural science, and the visual arts
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Endless forms : Charles Darwin, natural science, and the visual arts

by Diana Donald, Jane Munro

This illustrated volume examines the impact of evolutionary theory on nineteenth-century European and American visual arts. It analyses the reciprocal relationship between Darwinian ideas and the work of artists including Monet, Cezanne, and Landseer.

Accession 13052 ISBN 9780300148268 Publisher Fitzwilliam Museum, Yale Center for British Art, Yale University Press
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TAGS
Curated Derived
Art Art and Society Culture Economics Evolution History Human Evolution Life Sciences Literature Nature Science Sex Social Sciences Writing
CONNECTIONS
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State
on_shelf
True
position_updated_at
2026-06-10 11:07
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
287.00 (H) × 251.00 (W) × 30.00 (T) mm
spine_text
none captured

Metadata

Book form
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Book Location
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Identity

name→ title
Endless forms : Charles Darwin, natural science, and the visual arts
vernon_id
20461
accession_no→ accession_number
13052
vernon_slug
endless-forms-charles-darwin-natural-science-and-the-visual-arts-edited-by-diana-donald-and-jane-munro

Drives Pulse state

curr_loc_status→ on_shelf
On Shelf
location_name
Zone W1 (Live bays)/Level 1/Phrontisterion/MONA
location_reason
On Shelf
isbn_issn→ isbn (when valid)
9780300148268

Descriptive

production_date
2009
object_type
Books/Document genres/Information forms/Visual and Verbal Communication, Exhibition catalogues/Catalogues/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
Charles Darwin’s revolutionary theories of evolution and natural selection have not only had a profound influence on the fields of biology and natural history, but also provided fertile territory for the creative imagination. This lavishly illustrated book accompanies an exhibition organized by the Fitzwilliam Museum, University of Cambridge, in association with the Yale Center for British Art, that will coincide with the global celebration of the bicentenary of Darwin’s birth and the 150th anniversary of the publication of On the Origin of Species by Means of Natural Selection (1859). The essays in this exceptionally wide-ranging book examine both the profound impact that Darwin’s ideas had on European and American artists and the ways in which his theories were influenced by the visual traditions he inherited. In works by artists as diverse as Church, Landseer, Liljefors, Heade, Redon, Cézanne, Lear, Tissot, Rossetti, and Monet, from imaginative projections of prehistory to troubled evocations of a life dominated by the struggle for existence, Darwin’s sense of the interplay of all living things and his response to the beauties of the natural world proved inspirational. About the Author: Diana Donald is the former Head of the Department of History of Art and Design at Manchester Metropolitan University. Jane Munro is Senior Assistant Keeper of Paintings, Drawings, and Prints at the Fitzwilliam Museum, Cambridge.

Subjects & people

authors→ author (initial fill only)
Diana Donald, Jane Munro
tags→ tags
Auxiliary sciences of history, Arts, Science, Life sciences, Art -- Exhibitions, Anthropology, Exhibitions, Sales promotion, Marketing, Industrial management, Management, Culture, Evolution (Biology), Biology, Sex (Biology), Human evolution, Race, Physical anthropology, Art and science, Art, Modern -- 19th century, Evolution (Biology) in art, Social evolution, Art, Victorian, Evolution (Biology) in literature
subject_people
Paul Cézanne (French, b.1839, d.1906), Charles Darwin (English, b.1809, d.1882), Dante Gabriel Rossetti (English, b.1828, d.1882), Claude Monet (French, b.1840, d.1926), John Gould (English, b.1804, d.1881), Guillaume-Benjamin Duchenne (French, b.1806, d.1875)
subject_objects
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Cover image

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