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The global contemporary and the rise of new art worlds
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The global contemporary and the rise of new art worlds

by Hans Belting, Andrea Buddensieg, Peter Weibel

This volume examines the globalisation of the visual arts, documenting the shift from Western-centric models to emerging markets and biennials in Asia and the Middle East. It tracks developments in exhibition history, curating, and representation over the last twenty years.

Accession 12911 ISBN 9780262518345 Publisher ZKM Zentrum fur Kunst und Medientechnologie Karlsruhe, MIT Press
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The global contemporary and the rise of new art worlds
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vernon_slug
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Descriptive

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2013
object_type
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brief_description
MONA gets a mention (very 2010) in the section of extracts from 'The Art Newspaper' on page 164. Mapping the new geography of the visual arts, from the explosion of biennials to the emerging art markets in Asia and the Middle East. The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation. About the Author: Hans Belting has been Professor of Art History at the universities of Heidelberg and Munich and has taught at Harvard, Columbia, Northwestern, and the École des Hautes Études in Paris. He is a cofounder of the Karlsruhe University for Arts and Design (Hochschule für Gestaltung).

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Hans Belting, Andrea Buddensieg, Peter Weibel
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Art, Arts, Art -- Exhibitions, Contemporary Art, Art, Modern -- 21st century
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Topics and Themes