Accession Number: 12508
Site: Vernon O Content
Collection: N/A
Location: N/A
Binding Type: Hard Back
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Mostow and Asato Ikeda, with the assistance of Ryoko Matsuba" } ] } ] }, { "identifier": "other_name", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "artist_last_first", "opacObjectFields": [ { "value": "Mostow, Joshua S." }, { "value": "Ikeda, Asato" }, { "value": "Matsuba, Ryoko" } ] }, { "identifier": "prod_pri_date", "opacObjectFields": [ { "value": "2016", "opacObjectFieldAttributes": [ { "key": "earliest_date", "value": "2016-01-01Z" }, { "key": "latest_date", "value": "2016-12-31Z" } ] } ] }, { "identifier": "prod_pri_date_notes", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "edition", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "brief_desc", "opacObjectFields": [ { "value": "Gender relations were complex in Edo-period Japan (1603-1868). Wakashu, male youth, were desired by men and women, constituting a third gender; with their androgynous appearance and variable sexuality. For the first time outside Japan, A Third Gender examines the fascination with wakashu in Edo-period culture and their visual representation in art, demonstrating how they destabilize the conventionally held model of gender binarism.The volume will reproduce, in colour, over a hundred works, mostly woodblock prints and illustrated books from the eighteenth and nineteenth centuries produced by a number of designers ranging from such well-known artists as Okumura Masanobu, Suzuki Harunobu, Kitagawa Utamaro and Utagawa Kunisada, to lesser known artists such as Shigemasa, Eishi and Eiri. 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