Skip to main content
G:N1:18 3
Edit position
Edit position

Last set 4 days, 23 hours ago. Manual moves override automatic placement until the next shelfie/spine match.

As above, so below : art of the American Fraternal Society, 1850-1930
Diagnose this book
Open in Vernon Browser

As above, so below : art of the American Fraternal Society, 1850-1930

by Lynne Adele, Bruce Lee Webb, David Byrne

This survey examines the visual culture and folk art of American fraternal organisations. It features more than two hundred objects, including ceremonial regalia, paintings, and ritual items, exploring their symbolic significance and historical context.

Accession 12180 ISBN 9780292759503 Publisher University of Texas Press
Book Images
Reference and live side by side Hover to see live images
Reference
As above, so below : art of the American Fraternal Society, 1850-1930 spine
As above, so below : art of the American Fraternal Society, 1850-1930 cover
Live
As above, so below : art of the American Fraternal Society, 1850-1930 live spine
No live
As above, so below : art of the American Fraternal Society, 1850-1930 spine As above, so below : art of the American Fraternal Society, 1850-1930 live spine
As above, so below : art of the American Fraternal Society, 1850-1930 cover
No live
TAGS
Curated Derived
Art Collecting Crime Culture Family and Society History Institutions Social Sciences Society
CONNECTIONS
No connections
State
on_shelf
True
position_updated_at
2026-06-05 14:13
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
G:N1:18 3 Current vertical
1 week ago
1 week, 5 days ago
Book Location
Updated 4 days, 23 hours ago
Vernon snapshot
View live

Frozen copy of Vernon's record from the last sync. Fields tagged flow back into the Pulse record.

Last synced 2026-05-27 15:10 (1 week, 6 days ago)

Identity

name→ title
As above, so below : art of the American Fraternal Society, 1850-1930
vernon_id
19303
accession_no→ accession_number
12180
vernon_slug
as-above-so-below-art-of-the-american-fraternal-society-1850-1930-lynne-adele-and-bruce-lee-webb-foreword-by-david-byrne

Drives Pulse state

curr_loc_status→ on_shelf
On Shelf
location_name
Zone N1/Level 1/Phrontisterion/MONA
location_reason
On Shelf
isbn_issn→ isbn (when valid)
9780292759503

Descriptive

production_date
2016
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
Featuring more than two hundred outstanding objects gathered from private and public collections, As Above, So Below provides the first comprehensive survey of the rich vein of art created during the “golden age” of the American fraternal society. By the turn of the twentieth century, an estimated 70,000 local lodges affiliated with hundreds of distinct American fraternal societies claimed a combined five and a half million members. It has been estimated that at least 20 percent of the American adult male population belonged to one or more fraternal orders, including the two largest groups, the Freemasons and the Independent Order of Odd Fellows. The esoteric knowledge, visual symbols, and moral teachings revealed to lodge brothers during secret rituals inspired an abundant and expressive body of objects that form an important facet of American folk art. Lynne Adele and Bruce Lee Webb introduce the reader to fraternal societies and explore the function and meaning of fraternal objects, including paintings and banners, costumes and ceremonial regalia, ritual objects, and an array of idiosyncratic objects that represent a grassroots response to fraternalism. Setting the art in historical context, the authors examine how fraternal societies contributed to American visual culture during this era of burgeoning fraternal activity. Simultaneously entertaining and respectful of the fraternal tradition, As Above, So Below opens lodge room doors and invites the reader to explore the compelling and often misunderstood works from the golden age of fraternity, once largely forgotten and now coveted by collectors.

Subjects & people

authors→ author (initial fill only)
David Byrne, Lynne Adele, Bruce Lee Webb
tags→ tags
Art, Arts, History, Social sciences, Civilisation, Sociology, Social history, Associations, institutions, etc., Manners and customs, Costume, Clothing and dress, Symbolism in art, Secret societies, Clubs
subject_people
subject_objects

Cover image

vernon_cover_image_id→ cover_image
19063

Raw Vernon JSON

click to inspect

The source payload behind the snapshot above.

Use ⌘F to search once expanded.
{7 keys}
"slug": "as-above-so-below-art-of-the-american-fraternal-society-1850-1930-lynne-adele-and-bruce-lee-webb-foreword-by-david-byrne"
"opacObjectId": "19303"
"opacCollection": {1 keys}
"opacCollectionId": "1"
"imagesCollection": {2 keys}
"images": [1 items]
"[0]": {5 keys}
"imageId": "19063"
"cssColors": [4 items]
"[0]": {9 keys}
"hex": "708090"
"hue": 210
"rank": 1
"presence": 90.09
"colorName": "slategray"
"lightness": 50
"colorGroup": "gray"
"saturation": 13
"formattedColorName": "slate gray"
"[1]": {9 keys}
"hex": "d3d3d3"
"hue": 0
"rank": 2
"presence": 6.49
"colorName": "lightgray"
"lightness": 83
"colorGroup": "gray"
"saturation": 0
"formattedColorName": "light gray"
"[2]": {9 keys}
"hex": "a52a2a"
"hue": 0
"rank": 3
"presence": 2.18
"colorName": "brown"
"lightness": 41
"colorGroup": "brown"
"saturation": 59
"formattedColorName": "brown"
"[3]": {9 keys}
"hex": "000000"
"hue": 0
"rank": 4
"presence": 0.78
"colorName": "black"
"lightness": 0
"colorGroup": "gray"
"saturation": 0
"formattedColorName": "black"
"rawColors": [7 items]
"[0]": {6 keys}
"hex": "676967"
"hue": 120
"rank": 1
"presence": 90.09
"lightness": 40
"saturation": 0
"[1]": {6 keys}
"hex": "d5d5cd"
"hue": 60
"rank": 2
"presence": 6.49
"lightness": 81
"saturation": 8
"[2]": {6 keys}
"hex": "553336"
"hue": 354
"rank": 3
"presence": 2.18
"lightness": 26
"saturation": 25
"[3]": {6 keys}
"hex": "223131"
"hue": 180
"rank": 4
"presence": 0.78
"lightness": 16
"saturation": 18
"[4]": {6 keys}
"hex": "abb5a7"
"hue": 102
"rank": 5
"presence": 0.11
"lightness": 68
"saturation": 8
"[5]": {6 keys}
"hex": "493c33"
"hue": 24
"rank": 6
"presence": 0.34
"lightness": 24
"saturation": 17
"[6]": {6 keys}
"hex": "a4acb4"
"hue": 210
"rank": 7
"presence": 0.0
"lightness": 67
"saturation": 9
"imageLabels": [10 items]
"[0]": {5 keys}
"count": 19027
"score": 87.34
"status": "auto_verified"
"imageLabel": "Publication"
"imageLabelId": 23
"[1]": {5 keys}
"count": 15177
"score": 84.1
"status": "auto_verified"
"imageLabel": "Book"
"imageLabelId": 67
"[2]": {5 keys}
"count": 19412
"score": 83.71
"status": "auto_verified"
"imageLabel": "Font"
"imageLabelId": 12
"[3]": {5 keys}
"count": 10019
"score": 74.88
"status": "auto_verified"
"imageLabel": "Rectangle"
"imageLabelId": 11
"[4]": {5 keys}
"count": 12700
"score": 71.06
"status": "auto_verified"
"imageLabel": "Book cover"
"imageLabelId": 90
"[5]": {5 keys}
"count": 465
"score": 66.87
"status": "auto_verified"
"imageLabel": "Signage"
"imageLabelId": 229
"[6]": {5 keys}
"count": 509
"score": 66.07
"status": "auto_verified"
"imageLabel": "Eyelash"
"imageLabelId": 59
"[7]": {5 keys}
"count": 5352
"score": 63.3
"status": "auto_verified"
"imageLabel": "Advertising"
"imageLabelId": 71
"[8]": {5 keys}
"count": 2523
"score": 62.25
"status": "auto_verified"
"imageLabel": "Metal"
"imageLabelId": 9
"[9]": {5 keys}
"count": 4263
"score": 58.25
"status": "auto_verified"
"imageLabel": "Fiction"
"imageLabelId": 91
"imageDerivatives": [6 items]
"[0]": {4 keys}
"url": "https://browser.mona.net.au/records/images/large/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "800"
"height": "788"
"identifier": "LARGE"
"[1]": {4 keys}
"url": "https://browser.mona.net.au/records/images/medium/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "400"
"height": "394"
"identifier": "MEDIUM"
"[2]": {4 keys}
"url": "https://browser.mona.net.au/records/images/nano/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "35"
"height": "34"
"identifier": "NANO"
"[3]": {4 keys}
"url": "https://browser.mona.net.au/records/images/small/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "150"
"height": "148"
"identifier": "SMALL"
"[4]": {4 keys}
"url": "https://browser.mona.net.au/records/images/tiny/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "75"
"height": "74"
"identifier": "TINY"
"[5]": {4 keys}
"url": "https://browser.mona.net.au/records/images/xlarge/5833/1c077d97cd1c7816b32a26daa7d3bd31d5151c96.jpg"
"width": "1200"
"height": "1182"
"identifier": "XLARGE"
"totalImages": 1
"objectSearchScore": 1.3174309
"opacObjectFieldSets": [40 items]
"[0]": {2 keys}
"identifier": "accession_no"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "12180"
"[1]": {2 keys}
"identifier": "name"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "As above, so below : art of the American Fraternal Society, 1850-1930 / Lynne Adele and Bruce Lee Webb ; foreword by David Byrne"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "title"
"value": "As above, so below : art of the American Fraternal Society, 1850-1930 / Lynne Adele and Bruce Lee Webb ; foreword by David Byrne"
"[2]": {2 keys}
"identifier": "other_name"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[3]": {2 keys}
"identifier": "artist_last_first"
"opacObjectFields": [3 items]
"[0]": {1 keys}
"value": "Adele, Lynne"
"[1]": {1 keys}
"value": "Webb, Bruce Lee"
"[2]": {1 keys}
"value": "Byrne, David"
"[4]": {2 keys}
"identifier": "prod_pri_date"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "2016"
"opacObjectFieldAttributes": [2 items]
"[0]": {2 keys}
"key": "earliest_date"
"value": "2016-01-01Z"
"[1]": {2 keys}
"key": "latest_date"
"value": "2016-12-31Z"
"[5]": {2 keys}
"identifier": "prod_pri_date_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[6]": {2 keys}
"identifier": "edition"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "First Editino 2015, Second Printing 2016"
"[7]": {2 keys}
"identifier": "brief_desc"
"opacObjectFields": [3 items]
"[0]": {1 keys}
"value": "Featuring more than two hundred outstanding objects gathered from private and public collections, As Above, So Below provides the first comprehensive survey of the rich vein of art created during the “golden age” of the American fraternal society. By the turn of the twentieth century, an estimated 70,000 local lodges affiliated with hundreds of distinct American fraternal societies claimed a combined five and a half million members. It has been estimated that at least 20 percent of the American adult male population belonged to one or more fraternal orders, including the two largest groups, the Freemasons and the Independent Order of Odd Fellows. The esoteric knowledge, visual symbols, and moral teachings revealed to lodge brothers during secret rituals inspired an abundant and expressive body of objects that form an important facet of American folk art."
"[1]": {1 keys}
"value": ""
"[2]": {1 keys}
"value": "Lynne Adele and Bruce Lee Webb introduce the reader to fraternal societies and explore the function and meaning of fraternal objects, including paintings and banners, costumes and ceremonial regalia, ritual objects, and an array of idiosyncratic objects that represent a grassroots response to fraternalism. Setting the art in historical context, the authors examine how fraternal societies contributed to American visual culture during this era of burgeoning fraternal activity. Simultaneously entertaining and respectful of the fraternal tradition, As Above, So Below opens lodge room doors and invites the reader to explore the compelling and often misunderstood works from the golden age of fraternity, once largely forgotten and now coveted by collectors."
"[8]": {2 keys}
"identifier": "measure_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[9]": {2 keys}
"identifier": "credit_line"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[10]": {2 keys}
"identifier": "curr_loc_status"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "On Shelf"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "curr_loc_status:"On Shelf""
"[11]": {2 keys}
"identifier": "ob_status"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Accessioned"
"[12]": {2 keys}
"identifier": "lender"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[13]": {2 keys}
"identifier": "copyright_owner"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[14]": {2 keys}
"identifier": "copyright_type"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[15]": {2 keys}
"identifier": "copyright_start"
"opacObjectFields": [0 items]
"[16]": {2 keys}
"identifier": "copyright_expiry"
"opacObjectFields": [0 items]
"[17]": {2 keys}
"identifier": "copyright_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[18]": {2 keys}
"identifier": "curr_loc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone N1/Level 1/Phrontisterion/MONA"
"[19]": {2 keys}
"identifier": "object_type"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Books/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Books/Document genres/Information forms/Visual and Verbal Communication""
"[20]": {2 keys}
"identifier": "collection"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Library of Everything (LoE)/Special Collections/Library"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "collection:"Library of Everything (LoE)/Special Collections/Library""
"[21]": {2 keys}
"identifier": "prod_pri_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Texas/United States of America"
"[22]": {2 keys}
"identifier": "prod_pri_publisher"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "University of Texas Press"
"[23]": {2 keys}
"identifier": "physical_notes"
"opacObjectFields": [2 items]
"[0]": {1 keys}
"value": "xxi, 266 pages : illustrations (colour) ; 26 cm."
"[1]": {1 keys}
"value": "Includes bibliographical references and index."
"[24]": {2 keys}
"identifier": "language"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[25]": {2 keys}
"identifier": "isbn_issn"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "9780292759503"
"[26]": {2 keys}
"identifier": "user_sym_1"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "MOE 194 ADE"
"[27]": {2 keys}
"identifier": "usual_loc_being"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone N1/Level 1/Phrontisterion/MONA"
"[28]": {2 keys}
"identifier": "subject_class"
"opacObjectFields": [7 items]
"[0]": {2 keys}
"value": "Secret societies/Sociology/Social sciences/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Secret societies/Sociology/Social sciences/Civilisation""
"[1]": {2 keys}
"value": "Clubs/Associations, institutions, etc."
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Clubs/Associations, institutions, etc.""
"[2]": {2 keys}
"value": "Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art/Arts""
"[3]": {2 keys}
"value": "Symbolism in art/Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Symbolism in art/Art/Arts""
"[4]": {2 keys}
"value": "History"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"History""
"[5]": {2 keys}
"value": "Social history/Sociology/Social sciences/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Social history/Sociology/Social sciences/Civilisation""
"[6]": {2 keys}
"value": "Costume/Clothing and dress/Manners and customs/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Costume/Clothing and dress/Manners and customs/Civilisation""
"[29]": {2 keys}
"identifier": "subject_date"
"opacObjectFields": [0 items]
"[30]": {2 keys}
"identifier": "subject_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[31]": {2 keys}
"identifier": "subject_period"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[32]": {2 keys}
"identifier": "subject_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[33]": {2 keys}
"identifier": "subject_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[34]": {2 keys}
"identifier": "subject_place"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "United States of America"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_place:"United States of America""
"[35]": {2 keys}
"identifier": "assoc_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[36]": {2 keys}
"identifier": "assoc_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[37]": {2 keys}
"identifier": "assoc_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[38]": {2 keys}
"identifier": "assoc_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[39]": {2 keys}
"identifier": "user_sym_9"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"relationshipsCollection": {2 keys}
"relationships": [1 items]
"[0]": {4 keys}
"relatedRecords": [3 items]
"[0]": {3 keys}
"slug": "lynne-adele"
"title": "Lynne Adele"
"relatedRecordId": "24808"
"[1]": {3 keys}
"slug": "bruce-lee-webb"
"title": "Bruce Lee Webb"
"relatedRecordId": "24809"
"[2]": {3 keys}
"slug": "david-byrne"
"title": "David Byrne"
"relatedRecordId": "11875"
"relationshipId": "object_prod_pri_person"
"relatedRecordType": "person"
"totalRelatedRecords": 3
"totalRelationships": 1
Topics and Themes